BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Sabre//Sabre VObject 4.6.1//EN CALSCALE:GREGORIAN BEGIN:VTIMEZONE TZID:Europe/Zurich X-LIC-LOCATION:Europe/Zurich TZURL:http://tzurl.org/zoneinfo/Europe/Zurich BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:19810329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:19961027T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT UID:news369@dgw.philhist.unibas.ch DTSTAMP;TZID=Europe/Zurich:20200518T162107 DTSTART;TZID=Europe/Zurich:20200525T181500 SUMMARY:Aesthetics\, Raciality\, and Dispossession DESCRIPTION:This talk addresses racialized embodiment and embodied life in relation to the interlocking questions of violence\, surplus\, and represe ntation that subtend globalized flows of capital. If\, as Paula Chakravart ty and Denise Ferreira da Silva suggest\, the logic of global financial ca pital hinges upon an irreducible raciality\, how might we think about the minor aesthetic practices generated by “aberrant economic subjects” wh o at once bear the conditions of possibility for\, intransigent threats to \, and deviant enactments of dispossessive accumulation? RIZVANA BRADLEY is assistant Professor of the History of Art and African-American Studies at Yale. Her forthcoming book project is a recipient of a Creative Capita l | Andy Warhol Foundation Arts Writers Grant\, and offers a critical exam ination of the black body across a range of experimental artistic practice s that integrate film and other media. Bradley guest edited a special issu e of the journal Women and Performance: a Journal of Feminist Theory\, and has published articles in TDR: The Drama Review\, Discourse: Journal for Theoretical Studies in Media and Culture\, Rhizomes: Cultural Studies in E merging Knowledge\, Black Camera: an International Film Journal\, and Film Quarterly. She was a Helena Rubinstein Critical studies fellow at the Whi tney Museum of American Art in New York.\\r\\nDOMINIQUE GRISARD a historia n by training\, teaches Gender Studies at the University of Basel and dire cts the Swiss Center for Social Research. Currently she is finishing a mon ograph on the color pink. together with Andrea Zimmermann she created the event-platform “The art of Intervention”. \\r\\nEine Kooperation des S wiss Center for Social Research\, des Zentrums Gender Studies und der Grad uate School of Social Sciences (G3S) der Universität Basel sowie des Kuns tmuseums Basel\\r\\nInformationen dazu\, wie man zum Online-Raum Zugriff e rhält\, finden sich unter folgendem Link auf der Seite des Kunstmuseums:   www.kunstmuseumbasel.ch/de/programm/themen/bradley [https://www.kunstmu seumbasel.ch/de/programm/themen/bradley] X-ALT-DESC:

This talk addresses racialized embodiment and embodied life i n relation to the interlocking questions of violence\, surplus\, and repre sentation that subtend globalized flows of capital. If\, as Paula Chakrava rtty and Denise Ferreira da Silva suggest\, the logic of global financial capital hinges upon an irreducible raciality\, how might we think about th e minor aesthetic practices generated by “aberrant economic subjects” who at once bear the conditions of possibility for\, intransigent threats to\, and deviant enactments of dispossessive accumulation?
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RIZVANA BRADLEY is assistant Professor of the History of Art and Afric an-American Studies at Yale. Her forthcoming book project is a recipient o f a Creative Capital | Andy Warhol Foundation Arts Writers Grant\, and off ers a critical examination of the black body across a range of experimenta l artistic practices that integrate film and other media. Bradley guest ed ited a special issue of the journal Women and Performance: a Journal of Fe minist Theory\, and has published articles in TDR: The Drama Review\, Disc ourse: Journal for Theoretical Studies in Media and Culture\, Rhizomes: Cu ltural Studies in Emerging Knowledge\, Black Camera: an International Film Journal\, and Film Quarterly. She was a Helena Rubinstein Critical studie s fellow at the Whitney Museum of American Art in New York.

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DOMINI QUE GRISARD a historian by training\, teaches Gender Studies at the Univer sity of Basel and directs the Swiss Center for Social Research. Currently she is finishing a monograph on the color pink. together with Andrea Zimme rmann she created the event-platform “The art of Intervention”.

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Eine Kooperation des Swiss Center for Social Research\, des Zentrums Ge nder Studies und der Graduate School of Social Sciences (G3S) der Universi tät Basel sowie des Kunstmuseums Basel

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Informationen dazu\, wie m an zum Online-Raum Zugriff erhält\, finden sich unter folgendem Link auf der Seite des Kunstmuseums: \; www.kunstmuseumbasel.ch/de/programm/themen/ bradley

DTEND;TZID=Europe/Zurich:20200525T203000 END:VEVENT END:VCALENDAR